Genres and Queries and Yogurt, oh my!

I've got two projects ready to query for agents, and it has made me think about the importance of knowing what genre your book is.

There's a tendency among writers to want to write what we want to write, regardless of the readership. And that's great. It's totally fine.

However, if a writer does have the goal of getting published it's important to have the end-product in mind. For publishers, writing is a commodity, and it needs to be marketable. The very first thing a publisher needs to know to evaluate whether the book will work for them is the GENRE.

What is a genre? It's a type. It basically dictates who the audience of the book will be. Here are some examples of fiction genres, with my general assessment of the audience they target:

Picture Books (books with pictures, aimed at kids)
Chapter Books (longer books for young readers)
Middle Grade Fiction (that means for grade schoolers, the protagonist should be age 11)
Young Adult, a.k.a. YA (teen readers, the protagonists should be age 15-16, very little wiggle room there)
Literary Fiction (novels where the internal conflict of the main characters takes center stage)
Commercial Fiction (novels where external conflict for the main characters is most prevalent)
Mystery (self-explanatory)
Thrillers (like Baldacci)
Suspense (like Hitchcock)
Paranormal (ghosts, etc.)
Dystopian (where the world as we know it is broken, like Fahrenheit 451)
Fantasy (where the world-building is a main part of the story, often a quest or epic battle)
Science Fiction (where futuristic technology plays a major role)
Magical Realism (regular world with a dash of magic)
SteamPunk (not quite sure, but often set in the past with current technology involved; is it like Cowboys and Aliens?)
Historical (set in the past, usually educating the reader about the time period)
Romance (where the end isn't a surprise, but the joy is in the journey of girl getting boy)

There are others, and there are sub-genres of these classes as well; for instance, within Mystery, there is a sub-genre called "Cozy Mystery" where the blood isn't too gory, and you can imagine reading this curled up next to a fire with a cup of tea on a rainy day. There are also "Hard Boiled Detective" mysteries, like the Sam Spade stories of Dashiell Hammett. Or you've got "Procedurals" where the emphasis is on the medical evidence. Doesn't Patricia Cornwall write those? They're a little gritty for me and my cotton candy reading taste.

There are also gradations of Romance. Everything from "Sweet," to "Christian," to "Hot," to "NASCAR." The genres of Romance seem almost limitless. And it's a big market.

Okay, now. This morning I sent my first query to an agent. In my letter I noted the genre of my book. In order to even know which agent to query, I needed to know what genre she agented, and what her interests are. It really narrows things down. It's an important step in getting published.

Yeah, I can see how it feels constricting to some of us who would like to think of ourselves as "genre-bending" writers, but the problem with that is that when a reader picks up a book, he or she has a certain expectation and desire to be entertained in a certain way. For instance, some nights I stand in front of the Red Box thinking, "Do I want a comedy or an action movie?" There's an expectation, and it's part of the contract between the reader and the writer, as William Noble said. The deal is, the reader says, "Tell me a story," and the writer does.

Now, onto more important topics. Sometimes I stand in front of the Red Box and realize it's across the street from McDonalds and all I can think is how much I am craving a Fruit and Yogurt Parfait. I love that crunchy granola they put in the packet to keep it crispy and slide the spoon through the little plastic wrapper to keep them together and ready for me to combine and eat. Sometimes the chunks of strawberries are still frozen. I know, I know, some people are haters about The Golden Arches, but don't dis the Yogurt. That stuff is gooood.

Check out the Deliciousness

Gummies (and What to Ask an Agent)

Aren't gummies the best? It must have all started with Gummy Bears. I remember back in the day at West Side Junior High School when the little store across the street in Dayton had treats we could leave campus and go buy at lunch, if we pooled our money Jamie and I could sometimes afford a bag of the Haribo Gummy Bears from Germany. The only better thing that came out of Germany was Toblerone, and that might have been from Switzerland.

The fact that we were taking German at the time from the wonderful Mrs. Durrant made the Haribo Gummy Bears even more perfect. How could two girls from a tiny village in Idaho have been more cosmopolitan?

Thank you, Haribo.

When I did finally go to Germany about 7 years later, you'd better believe I found myself some Haribo Gummy Bears.

Now they sell them at WalMart, here in my new small town not in Idaho.

They still make me feel so cosmopolitan. So chic. So traveled.
Kids and Grown-Ups Love it So

As do the gummy Vitamin D (raspberry shape) "pills" I take. A spoonful of gummy helps the medicine go down. My doctor mentioned he takes 14000 milligrams at a time of Vitamin D. I don't know if it was an off-hand comment, but I suspect he likes gummies.

So do I.

In the meantime, I'm thinking about getting WAY outside my comfort zone and shopping my MS to an agent. Sometime soon. It will be like letting a cat out of the bag. Once it's out, you can't put it back in. I like the story, and I think everyone in the world will want to read it, and for sure it's going to become a summer Hollywood blockbuster, so I probably might as well get going on it; but it's not exciting to have to venture into the unknown. Well, I guess it's exciting, but not always in a good way.

In my online digging, I came across an excellent post VERY USEFUL FOR ANYONE WHO IS THINKING ABOUT SEEKING REPRESENTATION. It's from literary agent Rachelle Gardner, and she posts about QUESTIONS TO ASK AN AGENT before you sign any contract.

I think I'm going to print this out and keep it by my phone for when (not if) I get "the call."

Sometime I'll blog about the time I got "the call" for my screenplay. Possibly not my most graceful 15 minutes. Dorkarella.

In the meantime, I'll be researching about whether it's possible to overdose on Vitamin D. And doing a little cuisine travel to Deutchland.

WriteOnCon! Free Writers Conference Today! + a Pepperidge Farm Surprise

This week (Tues-Thurs) there's a free writing conference online. I spent yesterday eating waaay too many goldfish crackers and reading forums and watching vlogs by editors and agents and top authors.

It's been really helpful and inspiring. One class featured advice on great first lines of novels. (Thank you xxx. I'm going now to tweak my first line.) Another was a vlog (video log) by Beth Revis, the NYT Bestselling author of Across the Universe, about failure and success.

The forum with agent Sara Megibow was filled with great advice on how to build a platform. (What's that? It's basically an online presence.) She gave her opinions on the best way to go about that, and how not to be afraid of jumping in.

There was a very touching presentation by author Alan Silberberg about drawing from memory, and how he was able to mine his own emotions and past to create a middle grade comic strip type book, Milo: Sticky Notes & Brain Freeze, with a lot of heart and depth. Loved that.

It's primarily geared toward authors and aspiring authors who write Young Adult or Middle Grade novels or to those who write or illustrate picture books. However, I have found it useful in dozens of ways so far. Those who write for an adult audience won't be sorry they checked it out.

One of the coolest features of WriteOnCon is the option to put your query up for critique. Any participant can give you feedback, and hundreds of queries will get feedback from agents, editors, and other professionals. Shoooooweeee that's cool.

The organizers really did a spectacular job lining up true professionals and talent. If you haven't already logged onto it, you can still go over there and access all the information.

Did I mention the best part? It's FREE. Yup. Totally free. You can donate if you like, but there's no obligation.

So, how many goldfish crackers did I down during said sessions? Let's just say, I had the BIG CARTON nearby. Last month I stopped by the Pepperidge Farm Cookie Factory (a place I was fortunate to have a summer job during college. Mmmm.) They have a thrift/seconds store, and I got myself quite an array of Pepperidge Farm finery. White chocolate chunks? Yessiree. Mint Milanos? Who can resist those?

The best surprise was the goldfish, though. Now not only do they come in orange and parmesan and rainbow flavor, those little fishies have a brown cousin:

CHOCOLATE GRAHAM CRACKER!


It's like goldfish and choco teddy grahams had a love child.

I love them.

And you'll love WriteOnCon. Don't delay! Check it out NOW!

Pondering Attending a Writing Conference? Sweet Reasons to Go

Pondering the value of attending a writing conference?

Here are some reasons to bother going:

1) Network with other writers. Talk to people who "get" you. You don't have to assume you're the only one who hears voices and entire pages of dialoge running through your head anymore. Suddenly *you're* not the weird one. It's like when the ugly duckling showed up in swan-land. Ta-da!

2) Learn more about the craft. Conference organizers work like maniacs to assemble charismatic faculty with presentations on a wide variety of topics. Check the workshop and class lineup when you're registering! The conference I attended this weekend had classes like writing by gleaning stories from genealogy, songwriting (with a mind-opening step by step), how to write a query, how to write a pitch, how to make your writing pay, and many more.

3) Possibly meet agents and pitch your work. From what I've heard, and now that I've seen it in action, I believe wholeheartedly, an agent or editor is a bazillion times more likely to request pages from you if he or she has met you and heard you be enthusiastic about your work during a pitch. Otherwise, all you are is a query letter in the big, icky, disgust-inducing stack on the front desk of an agency. Wouldn't you rather be a smiling face and a witty remark in the memory of an agent who got wined and dined at a conference? Yes, you would. Even if it means the agonizing torment of preparing for the pitch session.

4) Get re-motivated to write. Going to conferences has pumped up my enthusiasm to write. The workshops always make me reexamine my work and improve what I've already written, and improve it. Conferences also always make me a little introspective; I always seem to spend a few hours musing on what exactly it is I want to do with my writing, how I actually picture my writing career going, where I want to go next, and more important, what I don't want to do.

If those are not enough, it's a chance (for me, at least) to be away from home and buy candy and not have to share it with any begging children. On my conference outing a few weeks ago I enjoyed a peanut brittle bar, a box of Good 'n Plenty, some Hot Tamales, a handful of mini-Mr. Goodbars, a few Hershey's Kisses, Starlight Mints, some Dr. Pepper (accidentally), and a bunch of mint flavored Three Musketeers. There were probably more. Sigh. So much candy, so little sharing of it. Well, I kept it in my purse and offered candy to the people next to me at the tables. Candy is a great icebreaker! I love my children. Don't get me wrong. And generally I share everything except Lindt truffles. And Dole Fruit Bars (coconut.) I'm just saying, a candy gluttony weekend is nice once a year or so.

Oooh. My friend shared a new candy with me--gum flavored like chocolate mint chip ice cream. Delicious enough I almost ate it outright. What a stroke of genius. Whoever came up with that, I thank you from the bottom of my tastebuds.